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8 Reasons to Rethink Fast Fashion

Not too long ago, fast fashion megastore Forever 21 announced plans to launch a new brand called F21 Red. Get Up To 60% OFF Fashion Outlet + FREE Shipping at eBay.com, click here

Already known for low prices, these stores would offer clothing at costs that make Goodwill seem pricey — jeans for $7.80, tanks from $1.80 to $3.80. How can a retailer sell jeans for $7.80 and still make money? You don’t want to know, but it’s vital that you find out. All of those inexpensive finds might seem easy on your budget, but the world is paying a high price for fast fashion.

1. Fast fashion exploits overseas workers.

Remember the boycotts against the Gap and Nike back in the 90’s for using sweatshop labor? Today, business practices have gotten even shadier — and perhaps because clothes are cheaper, shoppers seem to care even less. Fast fashion stores are particularly culpable here, due to their drive for lower-than-ever prices and the frequency of their demand for new goods.
Back in the day, companies ordered clothes for each season. (This is still the way most high fashion labels work — the clothes that are on the New York runways in October showcase what will be available for spring of the following year.) Garments might take up to a year to actually be produced, and if an apparel company wanted something faster, they’d have to pay up.
Now, fast fashion chains like H&M and Zara introduce new styles as often as every two weeks. Practically as soon as photos from fashion week go up online, there’s an immediate chain reaction of fast fashion stores rushing to duplicate the trend. How do they do it? By subcontracting manufacturing overseas to the lowest bidder — generally in countries that already have some of the leanest production costs on earth. Rather than having long-term relationships with the factories, companies are comfortable with abrupt break-ups — so if they want something faster, the factories have to keep up or lose their contracts.
The push to quickly create clothing that costs buyers as little as possible leads, predictably, to factories that put production schedules and companies’ demands ahead of safety or workers’ rights. This was highlighted by the catastrophic Dhaka fire in 2012 and the 2013 Rana Plaza building collapse, which killed a combined total of over 1,200 Bangladeshi apparel workers and injured many more. The faulty wiring, lack of exits, crowded conditions, and poor construction are reminiscent of New York City’s Triangle Shirtwaist Fire. But that happened in 1911. It’s 2014.
Why is so much clothing manufacturing is going on in Bangladesh? Mainly because rising wages and inflation in China have made producing clothing there prohibitively expensive for manufacturers who seek to feed U.S. tastes for ever cheaper clothing. It won’t stop there, either — U.S. News recently reported that the Gap is looking to move some production to Myanmar (a country not exactly known for a stellar human rights record), and H&M is expanding to Ethiopia.

2. Fast fashion contributes to the decline of U.S. manufacturing.

Politicians and pundits often the lack of U.S. manufacturing jobs that pay a living wage, allowing people who maybe don’t have a college degree to support themselves and their families. When people ask where the “good jobs” have gone, one answer is well, we can’t have decently-paid factory work and shirts that cost less than $5.
According to Northern California public radio station KQED, in the 1960’s — when roughly 95% of clothing manufacturing was made in the United States — the average American household spent over 10% of its income on clothing and shoes (like $4,000 in today’s dollars). Your average American shopper bought fewer than 25 garments per year.
Now, all of those figures have flipped. Today, less than 2% of all clothing is manufactured in the U.S. The average household spends less than 3.5% of its income on clothing and shoes (less than $1,800). The most shocking number: Now, your average American shopper is buying roughly 70 garments per year. That’s nearly 3 times as many items as 50 years ago — and yet our annual household spending comes out to less than half of the amount spent in the 60’s.
Though clothing design and marketing still generally happens in the U.S., from the 1970’s onward more and more apparel manufacturing went overseas (and in case you forgot how that went, scroll back up to item one on this list). To maintain their profit margins while feeding appetites for inexpensive clothing, manufacturers have country-hopped to wherever can provide the lowest costs. You can guess how well U.S. factories have fared. Given the higher cost of manufacturing in the states, today only about 150,000 apparel manufacturing jobs remain. Those workers make about 38 times the wage of their Bangladeshi counterparts, so yes, clothing that is legitimately American-made is not going to be that cheap.

3. Fast fashion also exploits U.S. workers.

That said, apparel manufacturing in the U.S. isn’t all decent wages and reasonable working conditions. It’s mostly neither of those things. Sweatshops absolutely exist, particularly in large cities like New York and Los Angeles, and it’s not uncommon for these to be contractors manufacturing clothing on behalf of fast fashion chains.
In particular, fast fashion behemoth Forever 21 has been the subject of several lawsuits related to conditions in Los Angeles factories that make their clothing (there’s even an Emmy-winning documentary, Made in LA, that looks at the struggles of the immigrant workers to gain basic rights). The New Yorker reports that in 2001, the company was sued on behalf of workers who worked well over full time while earning much less than minimum wage in grotesque conditions. How did the clothing chain respond? They said they couldn’t be held responsible for their contractors’ practices and filed defamation lawsuits against the groups that organized boycotts of the stores. (The dispute was eventually settled with the company agreeing to help activists but refusing to admit wrongdoing.)
But then virtually the same allegations cropped up in 2012, this time brought about following a multi-year investigation by the Department of Labor into Los Angeles sewing factories. The federal court issued a subpoena, then sued, then ordered Forever 21 to hand over records documenting workers’ hours and compensation. The workers in these factories are often unskilled recent migrants, who may be undocumented and/or unable to speak English. Their precarious status is something that unscrupulous manufacturers can exploit — and that’s how you they can be paid even less per hour than the cost of your $5.80 miniskirt.

4. Fast fashion is environmentally disastrous.

“Buying clothing, and treating it as if it is disposable, is putting a huge added weight on the environment and is simply unsustainable,” says Elizabeth L. Cline, author of Overdressed: The Shockingly High Cost of Cheap Fashion. In her book, Cline documents the numerous tolls that textile manufacturing takes on the earth. Though in the U.S., textile manufacturing faces greater regulation to make it less destructive, again, most of the manufacturing takes place overseas where there is much less oversight. Cline cites the stat that fiber production now takes roughly 145 million tons of coal and between 1.5 and 2 trillion gallons of water.
But it’s not just the resource strain caused by manufacturing — it’s also the issues at the other end, of people constantly getting rid of their used (or even unused) clothing. The Huffington Post reports that the average American throws out 68 pounds of textiles per year — not donates or consigns, straight-up throws in the trash. In case the sheer wastefulness isn’t galling enough, bear in mind that because most garments (especially fast fashion ones) are made with inexpensive, petroleum-based fibers that don’t easily decompose (such as polyester, nylon, and acrylic), they’re going to be taking up landfill space for decades to come. As Cline points out, people generally recycle plastic bottles or avoid buying them in the first place, but people are pretty okay with buying lots of plastic clothing.
Even if you donate used clothes to charity, at this point nearly half of all charitable donations go directly to textile recyclers. On the one hand, yes, a large portion of this is reused in different ways (recycled fibers can be used in stuff like insulation). On the other hand, though, it’s unbelievably wasteful. There’s the use of water, coal, and so on in the manufacturing process. But then there’s also the “downstream” costs, including to the charities themselves, which are forced to spend a considerable amount of money sorting through clothing they can’t use (like ripped, torn, or soiled items) and disposing of it. Fast fashion has even made the textile recycling business more difficult — the lower quality of the clothing, Cline reports, means that recycled fiber is often sold below cost (and for the record, recycled fiber is sold for less than a nickel a pound).
H&M has been faced especially heavy criticism for its espousal of “disposable fashion,” and has done more than other stores to combat that image. They have released the “Conscious Collection,” billed as “sustainable style” and featuring items like a $7.95 tank top made with organic cotton. H&M also now boasts a selection of “premium quality products” (like $99 cashmere cardigans) which cost more and are ostensibly longer-lasting. They’ve also started putting recycling bins right in their stores, which will accept used clothing in any condition.
It’s a nice gesture, but at times the company’s attempts at proving its ethics are ludicrous. For example, H&M has a sponsored story titled “Fast fashion doesn’t automatically mean unsustainable” published in the UK’s Guardian(styled to look like legitimate site content, but paid for, branded, and no doubt heavily vetted by H&M). In the story, the author argues, “…everyone in the fashion industry knows that luxury brands and high street brands more than occasionally use the same suppliers. Factory workers are paid the same salary to produce luxury goods as so-called ‘fast fashion’, and under the same conditions.”
To recap then, their argument is that factory workers will be exploited no matter what, so might as well go with the cheaper pair of leggings. You can tell yourself that well, you’ll give those leggings to charity, and then someone else will wear them, but given the lower quality and cheap brand, they’re more likely to wind up in a landfill than on somebody else’s legs.

5. Fast fashion can wind up costing you more than “real” clothes.

If you’re on a budget and looking for ways to save money on clothes, one way to evaluate the price of an item is to calculate the cost per wear for each item. You could complain that this is just a trick to make an expensive item seem reasonable, but it’s actually a way to force yourself to think about the effects of your purchase on your bottom line. You need to think about both how often you’ll wear the item, and how long it will likely last.
Say you’re looking for a pair of black heeled sandals. You can buy a pair from Charlotte Russe for about $30. If you wear them just to one party buy them for a special occasion and wear them just for that, that’s your cost per wear right there — $30. Wear them three times, it’s $10. If the cheap pleather cracks, if the heel breaks, if the plastic soles are too worn, that’s the end of the road for those heels. If you’re going to replace them with a new pair, that’s another $30. It would be easy to wind up spending $120 per year on four pairs of the same cheap black heels, with a cost per wear of roughly $10.
Now here’s a different scenario. We’re still looking for black heeled sandals, but say you get them from Cri de Coeur. Founded by two Parsons grads, their vegan, sustainably-produced, and totally stylish shoes retail for around $150 for a pair of heeled sandals. If you wear them the same amount as the cheap heels, they’re only costing you a little bit more per wear — $12.50. But since these are considerably higher quality and will hold up much better, you’re probably going to wear them more. Even if you only wore them 16 times in one year, your cost per wear would drop below the $10 mark. You also don’t need to make those three additional trips to the mall to replace your busted-up heels. Which scenario seems more sensible?

6. Fast fashion’s low quality changes how you think about clothes.

Ellen Ruppel Shell, author of Cheap: The High Cost of Discount Culture, argues that when we buy “cheap chic” clothes at places like Target or Mango, even though there’s not planned obsolescence — the clothing isn’t designed to fall apart (though some have alleged that it is) — we don’t expect it to last. We don’t invest much in it monetarily or emotionally, it’s just to fill the gap (something to wear to that party Friday night) and then its job is done. Part of why Americans toss so much clothing is because we no longer bother to repair a lost button, or resole a worn-out shoe. If clothing feels cheap, fast, and disposable, that’s how we treat it.
In an article on the website College Fashion, after explaining “how Forever 21 works” (i.e., mentioning that unethical labor practices help keep prices low), the author goes on to give tips for shopping at the retail chain. For example, look at the seams: “If the two sides of the seam appear to come apart relatively easily, the thread starts to come undone, or you feel that with a little bit more energy you could rip the item in half, it’s not made well and won’t hold up for long.” Why would you shop in a store where the item literally falling apart in your hands is a likely scenario?
Cline, author of Overdressed, also notes this phenomenon. She writes that “low prices and fast trends have made clothing throwaway items, allowing us to set aside such serious questions as How long will this last? or even Will I like it when I get home?” For many people, even bothering to return an item that looks less good outside the store is too much of a hassle. But cheap isn’t free. If you’re going to toss your clothes after one wear, you’re throwing money away, too.

7. Fast fashion collaborations trick you into paying for the name.

What used to be mega-events — round-the-block lines for Karl Lagerfeld for H&M, Missoni for Target crashing the big box retailer’s website — are now regular occurrences. Mass market retailers (notably Target and H&M, but also Mango, Topshop, and Zara) regularly trot out collaborations with high fashion designers, giving consumers a taste of what H&M has dubbed “massclusivity,” according to Dana Thomas, author of Deluxe: How Luxury Lost Its Luster. These limited-time capsule collections are designed to do pretty much one thing — send shoppers into a buying frenzy where they don’t even care what they get, they just know they’re getting something with the designer’s name on it.
Sure, that’s not how these brands would describe it. Thomas quotes Chanel designer Karl Lagerfeld as saying that fashion isn’t a matter of price, “It’s all about taste.” But how tasteful is waiting in line outside a mall store or constantly hitting refresh on your web browser just to grab something,anything that has a designer’s name on it? Considering that many fashionistas claim that it’s not about the label, it’s about the style, it’s more than a little surprising that these collaborations consistently create such buzz (Joseph Altuzarra coming to Target this fall is all over every fashion mag’s September issue).
Once the thrill of the initial scrum is over though, shoppers are left with items that say Missoni, or 3.1 Philip Lim, or Rodarte, or whichever designer they are. But are they really? Cline notes that actual Missoni dresses, for example, are made in Milan using natural fibers like virgin wool, viscose, and alpaca. Missoni for Target? That would be acrylic made in China. You could argue you’re paying for the design, but realistically, anyone who recognizes the designer is probably also going to recognize that you’re wearing the H&M version, not the real deal. Sure, it’s a lot less than a “real” item from one of these designers would cost… but chances are, it’s also something you wouldn’t even have considered buying if it didn’t have the designer’s name attached.

8. Fast fashion distorts your sense of value.

Though Americans like saving a buck — honestly, who doesn’t? — with the rise of fast fashion, we expect our clothing to cost virtually nothing. The strange thing is that even though we appreciate lower prices on all goods, we’re pretty willing to pay more for certain types of products. Some of the most desirable products — like Apple computers — are literally unavailable at a discounted price, and people still line up every time there’s a new iPhone. A computer or a smartphone is an investment and lasts a while, but think about other things in your life you’re willing to pay a bit more for. A grande latte at Starbucks costs around $4, and you drink it in a matter of minutes (or if you sip, we’ll call it an hour). If you’ll spend $4 on a bit of caffeination, is it really that important that a t-shirt cost only $3? The money you’re saving on that shirt has real consequences — it’s worth the time to reflect on what it truly costs.
Featured photo credit: Mike Mozart via flickr.com

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5 Beauty Lifehacks You Can Learn from Fashion Week for Spring

Two times a year, Fashion Week comes to New York City and with it brings the world’s top beauty experts. The backstage pros, such as beauty experts and make up artists, gave up some of their beauty secrets. 
These beauty lifehacks from this springs New York Fashion Week are easy to achieve in the real world. You’ll be up to date with the latest looks with simple solutions that are quick. If you’ve got a lot of money to spend, you’ll find high end products on Sephora. If you’re looking for your dollar to stretch a little further, check out great discounts online for this seasons make up and hair products.

1. Best Practice for Keeping Glitter Make Up On

Glitter is coming back and it’s being used to give a fierce look. The beauty secret is this: use lip gloss as the adhesive agent. You put a layer of lip gloss wherever you want glitter and then put a layer of course glitter over top. To perfect where the glitter goes, especially on eyelids, you can use surgical tape. It’s much less sticky and you can use it to remove any residual glitter from your face.
To add sparkles to your face, you can use a thick cream instead of using glue. This keeps the face moisturized as well as making the sparkles stick.

2. Contouring is Queen

Contouring your face enhances your beautiful features. The technique has long been used in fashion, but it was big talk at Fashion Week in New York, indicating it’s part of the season’s look. So here’s the beauty secret: use short, quick strokes when you add your bronzer to the hollow area of your cheeks. This will give you a natural-looking shadow.
A new discovery for the bronzer was creating a subtle tan on the face. Just put some bronzer gently across your nose, forehead and apples of the cheeks. Voila! You have just been sun-kissed.

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3. The Moody Eye and the Bright Smokey Eye

At Fashion Week, the moody eye was toned down from black to gray. Regardless of the tone-down, there is still a concern of the messy raccoon eyes. Here’s the secret from beauty experts, layer powder shadows with cream shadows. this is the perfect formula to avoid makeup from smearing.
For the bright smokey eye, begin with a colored cream shadow on the eyelids. Take a long, full bodied shadow brush and buff the color outwards. To further diffuse the edges, use concealer.

4. Easy Tricks for Nail Art

To achieve a splatter effect on your nails, use a bobby pin or stir-stick to pick up nail polish. Then blow the polish over your nails.
To get the perfect nude nails, it’s easier to achieve when you layer them. You to change a polish that is too pale by adding a warmer nude tone over top. If there’s a formula that’s too opaque, you can dilute it with some drops of clear coat.

5. Hair Secrets to Get the Hottest Fashion Week Looks

One of the top desired hairstyles at fashion week was the slept in waves. To achieve the look, you’ll want to use your flat iron. Bend the hair naturally and clip it with the hair iron. As you release your hair, make little S shapes. Leave the end straight.
Another trick for the beach waves look is to do it the old fashioned way. Create ropy waves with a diffuser which you’ll place over a blow-dryer. Use some kind of prepping spray that will hold the strands as you scrunch them. Blast your hair as you scrunch. You can achieve extra volume at the roots by flipping your head upside down and scrunching your hair as you blow dry with the diffuser from the underside.

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5 Popular Hair Color Tones For Spring 2016

If you’re looking for a way to brighten up your look in 2016, it might be a good time to try switching up your hair color. Adding some chic tones to your messy mane can give you that beachy look you’ve been after, or maybe a pop of pale pastel pink can give you some fun tussles for Easter! Check out these hair color tone trends for spring 2016.
1. Ronze
Emma-Stone-Ronze-Hair-ColorRihanna-Ronze-Hair-e1455899228557
2. Babylights
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3. Rose Gold
LONDON, ENGLAND - OCTOBER 28: Sienna Miller attends the UK Premiere of "Burnt" at Vue West End on October 28, 2015 in London, England. (Photo by David M. Benett/Dave Benett/WireImage)peachhair
4. Hair Strobing
NEW YORK - DECEMBER 08: Gigi Hadid arrives at 'Live with Kelly and Michael' on December 08, 2015 in New York, New York. (Photo by Josiah Kamau/BuzzFoto via Getty Images)STROBING-1
5. Tortoise Shell
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  • Perming, highlighting or bleaching have to wait for 3 weeks before colouring 
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This might just turn out to be the year of the redhead. From the red carpet to Pinterest, the ronze hair color trend has been adorning the heads of women everywhere. It’s a middle ground between red and brown that offers a wearable, more dynamic look. Fiery reds don’t always grow out well, and browns can end up looking drab when they lose their shine. That’s where the ronze color comes in, offering a naturally illustrious look that actually requires less upkeep.
If you’re looking for a way to freshen up your complexion, the ronze hair color is the way to go. The deep coppery hues frame the face with a warm and alluring intensity, making the natural beauty of nearly any complexion pop. From skin as fair as Emma Stone’s to Rihanna’s cocoa brown glow, the ronze look has women everywhere stealing the spotlight this spring.
Ombre and balayage were big in 2015, but there’s another trend that’s been gaining popularity since last summer. The look is called babylights, and you’ll probably be seeing it a lot this spring. Babylighting was inspired by the multi-tonal look that children often have in their hair, especially during the spring and summer. To get that look, stylists lighten small strands of hair all over the head and then “root” your hair by enhancing the natural color at the top of your head. This technique creates that fresh-off-the-beach, sun-kissed look that stars like Drew Barrymore and Cameron Diaz have had recently. An added plus is that it requires very little maintenance, so if you only get your hair done once or twice each year, babylights is the perfect option for you.
Lavender and silvery-gray hues were one of the biggest hair trends of last winter. This spring, expect to see people moving away from that trend toward a palette that samples from warm colors rather than cool. For blondes especially, adding some peach or faint rose colors is as trendy as it gets this spring. These soft tones pair well with the beach-inspired hair colors that are also popular right now, and sampling from the light-pink family creates an enchanting mix that’s sure to turn heads. Rose golds and soft corals are a great way to play with a shimmering hair color without risking too much chemical damage. It’s the perfect look for Easter season!
Strobing actually started as a makeup technique that highlighted areas of the face where light hits, and the same concept is being used to make hair pop with an illuminated look. The great thing about strobing is that it’s tailored to the structure of your personal features as well as your complexion, so you’re guaranteed a unique look. Many of the prominent strobing highlights are added to the wisps of hair that frame your face, which makes it an excellent way to accentuate your natural features and bring together your overall look.
Not entirely unlike the ombre, the tortoise shell hair style (also known as the Ecaille Blend) uses three or more sympathetic colors to blend into the hair. The result is a mix of compatible tones, giving your hair that can’t-look-away element of glamour and movement. This is also a great option for people with thin hair, because the different hues provide a depth that gives a look of fuller volume. Tortoise shell coloring is an ideal color scheme for brunettes who are looking to experiment with their hair tone while staying true to their natural color, and the dimension of the tones really enhances different styling techniques.
Which hair color tone will you try out this season?
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IMPORTANT : Before you purchase this product please kindly read instruction carefully and if you are not sure then please kindly consult with professional hair dresser.



Source: lifehack.org

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Newbie Fashion Tips for Grown-Up Men

Just over a month ago, I ran into a friend at a CES event. While I see this friend around town once in a while, this was the first time I’d seen him in a non-casual setting since Blogworld 4 months earlier. After exchanging the usual pleasantries, he asked me an odd question: “Is this like your conference party outfit?”

Indeed, I was wearing the exact same clothes I’d worn to the event four months earlier. Since he doesn’t usually see me dressed up, it stood out enough for him to remember. But that’s not the real point, here; the real point is that I have few clothes suitable for “adult” gatherings.
I have a suit, of course, for weddings and funerals. (I haven’t had a job interview in 9 years, but if I did, it would be suitable for that, too.) And I have my day-to-day clothes, which aren’t awful but which aren’t anything to brag about, either. Functional casual, basically: jeans and khakis, an assortment of button-front shirts, some cotton sweaters.
As a college professor, there’s not a lot of pressure on me to dress up. If anything, it’s just the opposite. For one thing, I interact regularly with younger people, mostly teenagers (I teach 100-level courses), and being too formal creates a barrier between my students and me. That might be ok in business or law (think John Houseman in Paper Chase) but for my classes and my teaching style, some level of rapport is crucial. For another thing, my fellow professors don’t exactly set the sartorial bar very high – and there’s a certain sense of bohemian “me-against-The-Machine” attitude expressed by violating “corporate” standards of dress.
But mostly I dress the way I do because I’ve never really learned how to dress otherwise. Like a lot of my fellow geeks, fashion just wasn’t on the radar for me. Fortunately I have a brother who has always been very fashion-conscious, and he’d take me in hand every few years when my fashion sense got too out of touch with reason and social acceptability.
Well, my friend’s off-hand comment was a wake-up call for me. I mean, I’m a grown man – I should have more than one pair of slacks and one shirt nice enough to wear to an industry event without embarrassing myself! So I set out to educate myself on some fashion basics – what shoes go with what kind of trousers, how to distinguish various sorts of dress shirts, and so on.
I did what any true-blooded geek does when he or she wants to find out about a new topic: I googled it. But what I found was scattered, often contradictory, and for a newbie like me, downright confusing. A lot of the information out there is tied to specific social contexts: the workplace, the nightclub, and dating, mainly. And a lot of it’s quite vague – the answer to most questions is “it depends on your personal style” which I’m sure it does, but what if you don’t know your personal style yet?!
With some perseverance, a few trips to department stores, and the help of friends on Twitter, I managed to assemble the following rules. As with all rules, they’re meant to be broken – but only by people who know how to break them.  For the rest of us, this is a pretty good primer on basic men’s fashion.

Dress Suits

1. You eventually want to own three suits. Your first suit should be either navy blue or gray, possibly with a light chalk stripe (like a pinstripe, but softer), and in an all-season, medium weight.  Either of these colors will fit into most social settings. Your second suit should be the one you didn’t get the first time around. Your third should be black – not for funerals, but for black tie affairs. If you work in a field where suits are the norm, you’ll probably want more than three; once you’ve covered the basics, you can move on to more distinctive suits (pinstripes, different weights, unconventional colors, etc.).
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2. Suits are made of wool or cotton. Higher thread counts signify higher quality, but are ironically not as durable, so stick with something mid-range. Ask the salesperson to help you with this. (Yes, ask the salesperson. Suits are not self-serve.) Synthetic fibers need not apply.
3. You never button the bottom button. Apparently, Edward VII got fat and couldn’t button his vest over his belly, so now nobody does. On a three-button jacket, you button the middle; the top button is optional. If you have a jacket with 4 or more button, you obviously know what you’re doing already.
4. A gentleman carries a handkerchief in his front breast pocket. You don’t have to get fancy, just fold it square to fit and have 1/4” to 1/2” sticking out the top. Then proffer it as needed. And wash it after.

Shirts

1. Don’t wear your sleeves too short or too long. 1/4” to 1/2” of cuff should show beyond your jacket sleeve.
2. Shirts with button-down collars are not dress shirts. They’re sports shirts, so wear them with a sports coat. Polo players used to button their collars down so they wouldn’t flap up in their face while they played. (Are you beginning to sense a theme here? Fashion rules are largely dictated by what English gentleman and nobility did generations or even centuries ago. Sports coats? You wore them during sport, i.e. hunting. Regimental stripes on ties? They indicated your regiment in the British military. And so on.)
3. If you unbutton your collar, remove your tie. You can wear a suit or sports coat without a tie – just ask Obama – but wearing a tie with an unbuttoned shirt looks sloppy.
4. You can unbutton the top button always (provided you’re not wearing a tie), the second button usually, the third button only on disco night at the Rollerama.

Trousers

1. Wear your pants at your natural waist. Too high and you look like Grampa, too low and you look like a high school kid. Your waistband should sit 2-3 inches below your belly button.
2. Pants should almost touch the ground without your shoes on. Jeans can be a little longer, since they shrink a bit when you wash them.
3. One pleat, maximum. If you’re a big guy, like I am, you learned somewhere along the line that pleats are slimming. They’re not. At best, they look like you’re a big guy trying to look slimmer; at worst, they actually make you look heavier because they pull out across you, broadening your appearance. In any case, the job of a pleat is to maintain that crease sown the front of your pants. For pants without that crease (and many with it), pleats are unnecessary; for pants that need the pleat, they only need one.
4. 1” to 1 1/2” cuffs. Or not. There’s nothing wrong with cuffs, there’s nothing wrong with no cuffs. They are understood, however, to be an older man’s style – not in a bad way, think sophisticated, experienced, distinguished, and conservative. For younger men, a cleaner line is generally preferred.
5. A useful piece of trivia for the American abroad: in British English, “pants” are underwear. So if, for instance, you are in London and get invited out and maybe your trousers are dirty from work, don’t say “I’d love to go out, I just need to go home and change my pants first.” And if someone should ask, “Why, are your pants dirty?”, don’t say, “Yeah, I always get my pants dirty at work.” You will be laughed at. Er, I assume.

Shoes

1. Pay attention to your shoes. Everyone else does. It’s hard for the non-fashion-maven to tell a more expensive suit from a less expensive one, a high-quality shirt from a medium-quality one, and so on. But everyone can tell cheap or poorly cared-for shoes. Buy the best ones you can afford, and take care of them. Polish them regularly (a few swipes with a wax-infused polishing cloth is often all it takes) and store them covered if you won’t be wearing them for a long time. Shoe trees, it turns out, are important: they not only hold the shape of the shoe but the cedar ones absorb moisture (and thus odors) which helps preserve the leather. (Aside: women tend to pay a lot of attention to men’s shoes. Keep that in mind when a) dating, and b) interviewing for a job.)
2. Shoes are made of leather (besides sneakers). Anything not made of leather you can consider a non-shoe. Leather breathes and adapts to the shape of your foot. The soles don’t have to be leather, but the uppers do. (True story: as a young man, my brother was a car salesman here in Vegas. In the summer, the tarmac could get well over 150 degrees F. Standing out there with leather-soled shoes could give you second-degree burns! So they wore rubber soles, which melted after a month or two and had to be replaced.)
3. You need more than one pair of shoes, but not too much more.Black oxfords (lace-up dress shoes), black loafers (slip-on shoes), brown oxfords or loafers, and you’re set (not counting your athletic shoes, of course). A pair of ankle-high boots in black or brown can substitute for the loafers. Ox-blood (burgundy) shoes are harder to find but in theory go with everything. You can pretty safely ignore white shoes.
4. The shinier the shoe, the dressier. Matte-finish shoes – nubuck (that pebbly leather), suede, and distressed leather shoes are automatically compatible with jeans or khakis; shinier shoes might still go with jeans but it depends on the rest of your outfit, the dressier you are the shinier your shoes can be. If you can wear them with a suit, you probably can’t wear them with jeans, and vice versa.
5. Shoes should be the same tone or darker than your pants. This is all the rule you need to know when trying to figure out what shoes to wear. This is why you never wear brown shoes with black trousers, but you can usually wear black shoes with brown trousers. When in doubt, wear black.

Accessories

1. Match your belt to your shoes. It doesn’t have to be a perfect match, as long as you wear a black belt with black shoes and a brown belt with brown shoes.
2. Match your socks to your pants. Again, it doesn’t have to be a perfect match – a little lighter or darker is fine. If you don’t have socks to match your pants, you can match your shoes, or just wear black socks.
3. White socks are for sports. Only. Unless you are a) wearing sneakers, and b) doing something athletic in them, avoid white socks.
4. Your tie should reach your belt. Anything short of your belt makes you look like a rube.
5. Try a front-pocket wallet or money clip. This will save wear-and-tear on your back pocket (helping to avoid the heartbreak of “buttsquare”), help avoid pickpockets (a little – the good ones know…), and save your back. Plus: classy!
6. You’re allowed one affectation. A fedora. A pocket watch. A bracelet or class ring. A vest (if you’re not wearing a three-piece suit). An expensive wristwatch. Pick one, but no more – give your whatever-it-is space to say whatever-it-says.
If it feels like these rules are arbitrary and stifling, they are. Think of it like learning how to paint: first, you do a still-life (arbitrary) using just one color (stifling). Eventually you move up to two and three colors, then maybe a warm or cool palette, and your subjects might expand to include figures or landscapes. Once you’ve mastered the basics, you can begin to press against the rules, juxtaposing non-complementary colors or painting unconventional subjects.
In fashion as in art – style emerges not from a lack of rules but from a mastery of them, from making them serve you instead of the other way around. If you’re a geek like me, you need to dial a fresh start – clear your closets of all those conference freebie t-shirts, put a shine on your shoes, and burn your butt-crack pants. Ultimately, these rules are not at all about tamping down your personality but about learning how to express it. And unfair as it is, people will take you more seriously when you dress with a modicum of style.
Anyone else have tips for the newcomer to the world of style? Give us your best advice in the comments.

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STUNNING MAKEUP SHADES THAT FLATTER ANY SKIN TONE



When it comes to foundation, you want to find that perfect match for your skin tone (well actually, your undertone). But what about cosmetics like blush, eye shadow and bronzer? While no makeup truly has a one size fits all shade, there are a few gems that will flatter anyone — with the right balance of course.

Makeup That Looks Good on Any Skin Tone

1. Matte Violet – A matte violet color like LORAC Color Source Buildable Blush might be the answer to any pink blush woes. If you can never seem to find a flattering blush, an out of the box shade like violet could be it. This color is fairly warm, and warm tones tend to be more universally flattering than cool. And because it’s buildable, the color ranges from sheer to bold. Try to keep it subtle for fair skin, and a little more bold for darker tones. MAC Powder Blush in Full of Joy is a close match for this stunning hue. Though it isn’t matte, they do have several near-violet shades to choose from in addition to ‘Full of Joy’.




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2. Baked Bronze – Many “baked” makeup palettes are gorgeous on a variety of skin tones, despite the thought that they may only work on already sun-kissed skin. Actually, a hint of this bronze on the cheeks looks great on just about every visage. However, if you aren’t quite sold on the idea of bronze on fair or light skin, you could always swipe Stila Baked Eyeshadow Trio over the lids for a similar effect. The different metallic pigments in baked products always give off a healthy glow.

3. Hint of Gold – Speaking of metallics, gold eye shadow is another universal look. If you have a cool undertone and gold jewelry doesn’t look quite right, you may be thinking that gold eyes won’t flatter your skin. However, a dab of NYX Hot Singles Eye Shadow Gold Lust in the corners of your lids or layered on top of your favorite neutral powde


r makes any eye color pop. Try it with a dramatic brow!

4. Rose Gold – This trendy option is for metallic lovers with a feminine side. Rose gold is like gold and copper, but far more subdued, and because of this it’s super versatile. Like gold shadow, Laura Mercier’s Caviar in Rose Gold is another option for the metallic-shy. Because you glide the color on with a pencil, it’s easy to work the color into a smoky eye too. The Clarins Mineral Palette in Rosewood is a safe choice for eye shadow newbies who want to take rose gold for a spin.

Of course, everything in moderation…

What do you think? Could you pull off these shades?

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TIPS FOR FINDING YOUR STYLE

Style isn’t just about what you wear. It’s how you express and empower yourself. The clothes on your back are just one of the many ways you convey that. A lot of times people try to put style in a box: trendy, preppy, formal, etc. – but like most things, no one’s style fits inside one little box.

With a lot of you starting class, internships and work, you be thinking of whether you should try to tweak your style for the new season. After all, you could use your back to school budget to completely overhaul your style, right? It’s tiring trying to keep up with what’s cool or embrace a style that’s not really you; it’s much easier to take time to come into your own and highlight your true self. Remember: this is your year. But if you’re not exactly sure what your style is in the first place, here’s a short 3-step guide to figuring it out!

How to Find Your Personal Style

Look for keywords, not categories – The terms above – trendy, preppy, formal – aren’t going to be complete representations of your unique style. They’re great categories for placing an outfit in, but you likely don’t rep them every single day. Instead, think of how you’d describe yourself, like daring, experimental, laidback. Let these words help you pull clothes off the rack for the dressing room. That way when you look at a piece, you can see whether it will embody your spirit, not put you in a box.
Make tweaks, don’t overhaul – Be real, how many of you want to start from scratch with your closet at times? I like to think of myself as always evolving, not completely transforming. As humans, it’s practically our jobs to change over time, slow and steady. Style works the same way. If you’ve changed from last year – you’re willing to take more risks, less into checking in with trends, hoping to come off as more mature – now is the time to find clothing that reflects that. No need to go too crazy, just add those words to your original list.
Put an end to the comparison game – Now is the time to be inspired, not envious. Your peers and coworkers’ styles, the blogger of the moment, street style inspiration on Pinterest, there’s a wealth of information out there. But once you stop being inspired and start making comparisons, it’s time to separate yourself form those sources. If you struggle with comparison, try this: the moment your mind begins to compare your look to the one on your digital feed, shut it down. Close your laptop or put your phone in your pocket. You can’t always remove yourself from the person sitting next to you, but when your comparison is digital, it’s best to try a little self-induced timeout. Before logging on, empower yourself with positive thoughts and self-love. 
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