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THE MOST COUTURE LOOKING SHOTS FROM THE SPRING 2015 SHOWS

If you use the word “couture” to describe high fashion, here’s a quick refresher: you’re using it wrong.

One of the most commonly misused words in fashion, couture actually means something quite specific: a garment that is constructed by hand from start to finish, made with the finest materials and with extreme attention to detail.



Couture pieces are custom-made and take weeks to complete, with multiple fittings involved. Its own commission, the Chambre Syndicale de la Haute Couture, who are the ones to approve whether or not a designer can officially be referred to as couture, also governs the couture world, ensuring that only certain designers are legally allowed to use the term.

With all this being said, it makes appreciating the Couture Spring 2015 shows even better, knowing how much work has been put into each piece of frothy eveningwear, gilded suiting and embroidered silk.

Cases in point: Dior’s rainbow sequin boots, a feat in miniscule details, Chanel’s sparkly painted linen coats embellished with garlands of flowers or Schiaparelli’s delicately embroidered silk absinthe green evening dress.

So, without further ado, we give you 21 of the most couture looking items from the Couture Spring 2015 shows

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Source: fashionmagazine.com

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IS 2015 THE YEAR OF ASIAN FASHION? WE DISCUSS THE GOOD, BAD AND OFFENSIVE MOMENTS IN RECENT HISTORY

Christian Dior Fall 2004
Photography by Hel/Prestige/Getty Images


Judging from this year’s line-up of fashion shows, parties and spring collections, 2015 is the year of celebrating Asia in the world of style. Last September, Vogue and the Metropolitan Museum announced their upcoming annual costume exhibition and gala would take on the theme China: Through the Looking Glass, showcasing the culture and its influence on and from the Western world. And last week Chanel announced it’s taking its super-luxe Cruise 2015 collection back to Asia on the very same day as the Met gala, this time to Asia’s rising fashion capital, Seoul, Korea. Being the up-and-coming centre for cool fashion trends and all things beauty, we can’t imagine a better fit for Karl Lagerfeld.

Asia has been an aesthetic influencer since the 1800s and recently even more so. Not only has the the fascination of the Far East culture inspired designers like Yves Saint Laurent and Coco Chanel (to name a few) decades ago, but the Asian demographic has also no doubt been fueling the business side of the fashion world, especially in recent years. Making up a big percentage of the consumer market, more and more designers and companies are taking that fact into account, whether it’s including more of Asia’s top models (think Liu Wen, Soo Joo and Fei Fei Sun) in campaign ads and runway shows or pushing out products that strike fancy with the consumers.

But diving into Asian-appropriated territory is tricky business, and a long history of misappropriation and distortions in all forms of art –from film to fashion– proves that. And unfortunately, it still goes on today. Case in point: Just recently, there was quite some backlash on Weibo when Burberry unveiled its latest monogrammed scarf for Chinese New Year (it’s the biggest shopping season of the year, so naturally, companies are scrambling to take well advantage of that fact). Probably assuming the design would receive as much love as it did for the personal monogram scarves and poncho, the results ended up looking tacky with the lucky character ‘fu’ (read: good fortune) stitched in red on the scarf. Not only is it incorrectly placed, but it also shows Burberry will go to any means to appeal to the Chinese market. Sure, it may not be as faux-pas as others who have produced tongue-in-cheek accessories based on all-American invention (ahem, Kate Spade), but because of the lack of research and/or sensibility, we’ve expected better from the English heavyweight.

Nevertheless, culture misappropriation is a sensitive topic, but we can’t deny the progress (albeit a slow one) we’ve been seeing as of late. Seeing less history textbook and more abstract adaptations, designers are less misappropriating and more inspired by present-day scenes. Take Raf Simons for example. His most recent Tokyo-staged collection for Chistian Dior did not result in any stereotypical cherry blossom-filled kimono-like designs (although we think the anime-inspired eyes for the models was a stroke of genius by Peter Philips). Instead, the environment and the current Japanese style (think urban dressing meets functional wear) sparked Simons’ creativity, resulting in a collection relating to current times.

So will the Chinese-celebrated Met exhibition and the much-anticipated Chanel Resort collection in Seoul succeed? Only time will tell. In the meantime, as we count the days till the Asia extravaganzas, let’s take a trip down memory lane. From Alexander McQueen‘s reinterpretation of the traditional dresses worn by Qing Dynasty’s Manchu women to Tom Ford‘s sultry cheongsam gowns for Yves Saint Laurent back in Fall 2004, we round up our 10 fave Asian-inspired moments in (recent) fashion history.


Source : fashionmagazine.com

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8 Reasons to Rethink Fast Fashion

Not too long ago, fast fashion megastore Forever 21 announced plans to launch a new brand called F21 Red. Already known for low prices, these stores would offer clothing at costs that make Goodwill seem pricey — jeans for $7.80, tanks from $1.80 to $3.80. How can a retailer sell jeans for $7.80 and still make money? You don’t want to know, but it’s vital that you find out. All of those inexpensive finds might seem easy on your budget, but the world is paying a high price for fast fashion.
fashion-trends-2015

1. Fast fashion exploits overseas workers.

Remember the boycotts against the Gap and Nike back in the 90′s for using sweatshop labor? Today, business practices have gotten even shadier — and perhaps because clothes are cheaper, shoppers seem to care even less. Fast fashion stores are particularly culpable here, due to their drive for lower-than-ever prices and the frequency of their demand for new goods.
Back in the day, companies ordered clothes for each season. (This is still the way most high fashion labels work — the clothes that are on the New York runways in October showcase what will be available for spring of the following year.) Garments might take up to a year to actually be produced, and if an apparel company wanted something faster, they’d have to pay up.
Now, fast fashion chains like H&M and Zara introduce new styles as often as every two weeks. Practically as soon as photos from fashion week go up online, there’s an immediate chain reaction of fast fashion stores rushing to duplicate the trend. How do they do it? By subcontracting manufacturing overseas to the lowest bidder — generally in countries that already have some of the leanest production costs on earth. Rather than having long-term relationships with the factories, companies are comfortable with abrupt break-ups — so if they want something faster, the factories have to keep up or lose their contracts.
The push to quickly create clothing that costs buyers as little as possible leads, predictably, to factories that put production schedules and companies’ demands ahead of safety or workers’ rights. This was highlighted by the catastrophic Dhaka fire in 2012 and the 2013 Rana Plaza building collapse, which killed a combined total of over 1,200 Bangladeshi apparel workers and injured many more. The faulty wiring, lack of exits, crowded conditions, and poor construction are reminiscent of New York City’s Triangle Shirtwaist Fire. But that happened in 1911. It’s 2014.
Why is so much clothing manufacturing is going on in Bangladesh? Mainly because rising wages and inflation in China have made producing clothing there prohibitively expensive for manufacturers who seek to feed U.S. tastes for ever cheaper clothing. It won’t stop there, either — U.S. News recently reported that the Gap is looking to move some production to Myanmar (a country not exactly known for a stellar human rights record), and H&M is expanding to Ethiopia.

2. Fast fashion contributes to the decline of U.S. manufacturing.

Politicians and pundits often the lack of U.S. manufacturing jobs that pay a living wage, allowing people who maybe don’t have a college degree to support themselves and their families. When people ask where the “good jobs” have gone, one answer is well, we can’t have decently-paid factory work and shirts that cost less than $5.
According to Northern California public radio station KQED, in the 1960′s — when roughly 95% of clothing manufacturing was made in the United States — the average American household spent over 10% of its income on clothing and shoes (like $4,000 in today’s dollars). Your average American shopper bought fewer than 25 garments per year.
Now, all of those figures have flipped. Today, less than 2% of all clothing is manufactured in the U.S. The average household spends less than 3.5% of its income on clothing and shoes (less than $1,800). The most shocking number: Now, your average American shopper is buying roughly 70 garments per year. That’s nearly 3 times as many items as 50 years ago — and yet our annual household spending comes out to less than half of the amount spent in the 60′s.
Though clothing design and marketing still generally happens in the U.S., from the 1970′s onward more and more apparel manufacturing went overseas (and in case you forgot how that went, scroll back up to item one on this list). To maintain their profit margins while feeding appetites for inexpensive clothing, manufacturers have country-hopped to wherever can provide the lowest costs. You can guess how well U.S. factories have fared. Given the higher cost of manufacturing in the states, today only about 150,000 apparel manufacturing jobs remain. Those workers make about 38 times the wage of their Bangladeshi counterparts, so yes, clothing that is legitimately American-made is not going to be that cheap.

3. Fast fashion also exploits U.S. workers.

That said, apparel manufacturing in the U.S. isn’t all decent wages and reasonable working conditions. It’s mostly neither of those things. Sweatshops absolutely exist, particularly in large cities like New York and Los Angeles, and it’s not uncommon for these to be contractors manufacturing clothing on behalf of fast fashion chains.
In particular, fast fashion behemoth Forever 21 has been the subject of several lawsuits related to conditions in Los Angeles factories that make their clothing (there’s even an Emmy-winning documentary, Made in LA, that looks at the struggles of the immigrant workers to gain basic rights). The New Yorker reports that in 2001, the company was sued on behalf of workers who worked well over full time while earning much less than minimum wage in grotesque conditions. How did the clothing chain respond? They said they couldn’t be held responsible for their contractors’ practices and filed defamation lawsuits against the groups that organized boycotts of the stores. (The dispute was eventually settled with the company agreeing to help activists but refusing to admit wrongdoing.)
But then virtually the same allegations cropped up in 2012, this time brought about following a multi-year investigation by the Department of Labor into Los Angeles sewing factories. The federal court issued a subpoena, then sued, then ordered Forever 21 to hand over records documenting workers’ hours and compensation. The workers in these factories are often unskilled recent migrants, who may be undocumented and/or unable to speak English. Their precarious status is something that unscrupulous manufacturers can exploit — and that’s how you they can be paid even less per hour than the cost of your $5.80 miniskirt.

4. Fast fashion is environmentally disastrous.

“Buying clothing, and treating it as if it is disposable, is putting a huge added weight on the environment and is simply unsustainable,” says Elizabeth L. Cline, author of Overdressed: The Shockingly High Cost of Cheap Fashion. In her book, Cline documents the numerous tolls that textile manufacturing takes on the earth. Though in the U.S., textile manufacturing faces greater regulation to make it less destructive, again, most of the manufacturing takes place overseas where there is much less oversight. Cline cites the stat that fiber production now takes roughly 145 million tons of coal and between 1.5 and 2 trillion gallons of water.
But it’s not just the resource strain caused by manufacturing — it’s also the issues at the other end, of people constantly getting rid of their used (or even unused) clothing. The Huffington Post reports that the average American throws out 68 pounds of textiles per year — not donates or consigns, straight-up throws in the trash. In case the sheer wastefulness isn’t galling enough, bear in mind that because most garments (especially fast fashion ones) are made with inexpensive, petroleum-based fibers that don’t easily decompose (such as polyester, nylon, and acrylic), they’re going to be taking up landfill space for decades to come. As Cline points out, people generally recycle plastic bottles or avoid buying them in the first place, but people are pretty okay with buying lots of plastic clothing.
Even if you donate used clothes to charity, at this point nearly half of all charitable donations go directly to textile recyclers. On the one hand, yes, a large portion of this is reused in different ways (recycled fibers can be used in stuff like insulation). On the other hand, though, it’s unbelievably wasteful. There’s the use of water, coal, and so on in the manufacturing process. But then there’s also the “downstream” costs, including to the charities themselves, which are forced to spend a considerable amount of money sorting through clothing they can’t use (like ripped, torn, or soiled items) and disposing of it. Fast fashion has even made the textile recycling business more difficult — the lower quality of the clothing, Cline reports, means that recycled fiber is often sold below cost (and for the record, recycled fiber is sold for less than a nickel a pound).
H&M has been faced especially heavy criticism for its espousal of “disposable fashion,” and has done more than other stores to combat that image. They have released the “Conscious Collection,” billed as “sustainable style” and featuring items like a $7.95 tank top made with organic cotton. H&M also now boasts a selection of “premium quality products” (like $99 cashmere cardigans) which cost more and are ostensibly longer-lasting. They’ve also started putting recycling bins right in their stores, which will accept used clothing in any condition.
It’s a nice gesture, but at times the company’s attempts at proving its ethics are ludicrous. For example, H&M has a sponsored story titled “Fast fashion doesn’t automatically mean unsustainable” published in the UK’s Guardian(styled to look like legitimate site content, but paid for, branded, and no doubt heavily vetted by H&M). In the story, the author argues, “…everyone in the fashion industry knows that luxury brands and high street brands more than occasionally use the same suppliers. Factory workers are paid the same salary to produce luxury goods as so-called ‘fast fashion’, and under the same conditions.”
To recap then, their argument is that factory workers will be exploited no matter what, so might as well go with the cheaper pair of leggings. You can tell yourself that well, you’ll give those leggings to charity, and then someone else will wear them, but given the lower quality and cheap brand, they’re more likely to wind up in a landfill than on somebody else’s legs.

5. Fast fashion can wind up costing you more than “real” clothes.

If you’re on a budget and looking for ways to save money on clothes, one way to evaluate the price of an item is to calculate the cost per wear for each item. You could complain that this is just a trick to make an expensive item seem reasonable, but it’s actually a way to force yourself to think about the effects of your purchase on your bottom line. You need to think about both how often you’ll wear the item, and how long it will likely last.
Say you’re looking for a pair of black heeled sandals. You can buy a pair from Charlotte Russe for about $30. If you wear them just to one party buy them for a special occasion and wear them just for that, that’s your cost per wear right there — $30. Wear them three times, it’s $10. If the cheap pleather cracks, if the heel breaks, if the plastic soles are too worn, that’s the end of the road for those heels. If you’re going to replace them with a new pair, that’s another $30. It would be easy to wind up spending $120 per year on four pairs of the same cheap black heels, with a cost per wear of roughly $10.
Now here’s a different scenario. We’re still looking for black heeled sandals, but say you get them from Cri de Coeur. Founded by two Parsons grads, their vegan, sustainably-produced, and totally stylish shoes retail for around $150 for a pair of heeled sandals. If you wear them the same amount as the cheap heels, they’re only costing you a little bit more per wear — $12.50. But since these are considerably higher quality and will hold up much better, you’re probably going to wear them more. Even if you only wore them 16 times in one year, your cost per wear would drop below the $10 mark. You also don’t need to make those three additional trips to the mall to replace your busted-up heels. Which scenario seems more sensible?

6. Fast fashion’s low quality changes how you think about clothes.

Ellen Ruppel Shell, author of Cheap: The High Cost of Discount Culture, argues that when we buy “cheap chic” clothes at places like Target or Mango, even though there’s not planned obsolescence — the clothing isn’t designed to fall apart (though some have alleged that it is) — we don’t expect it to last. We don’t invest much in it monetarily or emotionally, it’s just to fill the gap (something to wear to that party Friday night) and then its job is done. Part of why Americans toss so much clothing is because we no longer bother to repair a lost button, or resole a worn-out shoe. If clothing feels cheap, fast, and disposable, that’s how we treat it.
In an article on the website College Fashion, after explaining “how Forever 21 works” (i.e., mentioning that unethical labor practices help keep prices low), the author goes on to give tips for shopping at the retail chain. For example, look at the seams: “If the two sides of the seam appear to come apart relatively easily, the thread starts to come undone, or you feel that with a little bit more energy you could rip the item in half, it’s not made well and won’t hold up for long.” Why would you shop in a store where the item literally falling apart in your hands is a likely scenario?
Cline, author of Overdressed, also notes this phenomenon. She writes that “low prices and fast trends have made clothing throwaway items, allowing us to set aside such serious questions as How long will this last? or even Will I like it when I get home?” For many people, even bothering to return an item that looks less good outside the store is too much of a hassle. But cheap isn’t free. If you’re going to toss your clothes after one wear, you’re throwing money away, too.

7. Fast fashion collaborations trick you into paying for the name.

What used to be mega-events — round-the-block lines for Karl Lagerfeld for H&M, Missoni for Target crashing the big box retailer’s website — are now regular occurrences. Mass market retailers (notably Target and H&M, but also Mango, Topshop, and Zara) regularly trot out collaborations with high fashion designers, giving consumers a taste of what H&M has dubbed “massclusivity,” according to Dana Thomas, author of Deluxe: How Luxury Lost Its Luster. These limited-time capsule collections are designed to do pretty much one thing — send shoppers into a buying frenzy where they don’t even care what they get, they just know they’re getting something with the designer’s name on it.
Sure, that’s not how these brands would describe it. Thomas quotes Chanel designer Karl Lagerfeld as saying that fashion isn’t a matter of price, “It’s all about taste.” But how tasteful is waiting in line outside a mall store or constantly hitting refresh on your web browser just to grab something,anything that has a designer’s name on it? Considering that many fashionistas claim that it’s not about the label, it’s about the style, it’s more than a little surprising that these collaborations consistently create such buzz (Joseph Altuzarra coming to Target this fall is all over every fashion mag’s September issue).
Once the thrill of the initial scrum is over though, shoppers are left with items that say Missoni, or 3.1 Philip Lim, or Rodarte, or whichever designer they are. But are they really? Cline notes that actual Missoni dresses, for example, are made in Milan using natural fibers like virgin wool, viscose, and alpaca. Missoni for Target? That would be acrylic made in China. You could argue you’re paying for the design, but realistically, anyone who recognizes the designer is probably also going to recognize that you’re wearing the H&M version, not the real deal. Sure, it’s a lot less than a “real” item from one of these designers would cost… but chances are, it’s also something you wouldn’t even have considered buying if it didn’t have the designer’s name attached.

8. Fast fashion distorts your sense of value.

Though Americans like saving a buck — honestly, who doesn’t? — with the rise of fast fashion, we expect our clothing to cost virtually nothing. The strange thing is that even though we appreciate lower prices on all goods, we’re pretty willing to pay more for certain types of products. Some of the most desirable products — like Apple computers — are literally unavailable at a discounted price, and people still line up every time there’s a new iPhone. A computer or a smartphone is an investment and lasts a while, but think about other things in your life you’re willing to pay a bit more for. A grande latte at Starbucks costs around $4, and you drink it in a matter of minutes (or if you sip, we’ll call it an hour). If you’ll spend $4 on a bit of caffeination, is it really that important that a t-shirt cost only $3? The money you’re saving on that shirt has real consequences — it’s worth the time to reflect on what it truly costs.

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Get Yourself Together

Get Yourself Together
Schwab
1987
Show of hands: How many of you dabbled in these awesome late 80s fashions?
Of course, I can’t believe it is still in a teen nonfiction collection. I can hear every modern teen girl going “Ewwww.” I am going to guess they don’t want to look like Mom’s high school senior photo. This book should have been weeded by 1995 at the latest.
When I was a teen, I loved this kind of book, especially the before and after pictures. Unfortunately, I always looked like the before picture.
For its time, it was a good purchase. Seriously, though the 80s (and 90s, and 00s too) are over. Let’s all move on with our lives.  Think about it, the kids featured in this book are now planning for retirement or yelling at their own teens. Soon, they will be asking about senior discounts and AARP memberships.
Mary

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Friday Fashion Tips: Wedding Guest Outfit Inspiration

Friday Fashion Tips: Wedding Guest Outfit Inspiration
Can’t wait for that wedding but you don’t have anything to wear? Wedding guest outfits can be such a nightmare to shop for and with the wedding season in full bloom, we have put together some pieces that will give you that extra confidence should you run into your ex at the wedding. Check out Ebay coupon code 2015 at here
Let these outfits inspire your choice of a wedding-worthy attire and you can thank us later ladies.
This first outfit inspiration is most appropriate for ladies with pronounced curves. It’s a wrap dress that would sit right and hold every bit of your curves in the right places.
Dress: Glamour wrap dress
Shoe: Brian Artwood heels
Earrings: Nordstorm teardrop enamel drop earrings
Purse: Milly Gold Croc small frame clutch
wedding guest inspiration
The second outfit is perfect for anyone but most especially for ladies that may run into their exes at the wedding. Trust that he will check you out and regret ever leaving when you storm that wedding in this daring outfit.
Dress: Bardot neckline bandage pencil dress
Shoes: Brian Artwood Heels
Accessories: Lulu Frost for J.crew Crescent and Michael Kors Women watch
Clutch: Givenchy Envelope clutch
Enjoy your wedding and do have a stylish weekend!


Source: 360nobs.com

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The winter fashion equations: what to wear with boots

Boots were big news on autumn’s catwalks, and in the spring/summer collections too. But how to wear knee-highs, thigh-highs and cut-outs? Here we present some tried and tested winter footwear equations. Shop this boots and footwear on Ebay and Redeem this Ebay coupon code 2015 and save up to 70% OFF Winter Clearance Fashion + FREE Shipping! Shop men's & women's outerwear, boots, sweaters and more!

Simple

Kim Kardashian, a model on the Louis Vuitton catwalk and Alexa Chung in boots. Photograph: Getty & Rex


Cutaway flats + midi-with-a-split = biker boots with a flash of flesh

 Stylist Estelle Pigault in a Boohoo skirt and Balenciaga boots. Photograph: Kirstin Sinclair/Getty Images


Ankle boots + a silver of ankle + skinny jeans = Alexa-style insouciance


 Alexa Chung attends the Marc By Marc Jacobs fashion show during New York Fashion Week. Photograph: Astrid Stawiarz/Getty Images

Knee-high boots + an A-line mini-skirt = 1960s groove


 The Louis Vuitton autumn winter show in Paris in March 2014. Photograph: Dominique Charriau/WireImage

Hiking boots + thigh-length coats = functional lumberjack chic


 A model walks the runway at the Tommy Hilfiger fashion show during New York Fashion Week. Photograph: Victor Virgile/Gamma-Rapho via Getty Images

Kick flares + block-heeled ankle boots = Studio 54 revisited


 A model on the Louis Vuitton spring/summer 2015 catwalk in October 2014. Photograph: PIXELFORMULA/SIPA/REX/PIXELFORMULA/SIPA/REX

Over-the-knee boots + midi pencil skirt = covered-up like a Kardashian



 Kim Kardashian in Paris. Photograph: ANTOINE CAU/SIPA/REX/ANTOINE CAU/SIPA/REX

Top Coupons for Boots and Clothing at Ebay.com




Source: theguardian.com
 

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Newbie Fashion Tips for Grown-Up Men

Just over a month ago, I ran into a friend at a CES event. While I see this friend around town once in a while, this was the first time I’d seen him in a non-casual setting since Blogworld 4 months earlier. After exchanging the usual pleasantries, he asked me an odd question: “Is this like your conference party outfit?”

Indeed, I was wearing the exact same clothes I’d worn to the event four months earlier. Since he doesn’t usually see me dressed up, it stood out enough for him to remember. But that’s not the real point, here; the real point is that I have few clothes suitable for “adult” gatherings.

Photograph: Getty


I have a suit, of course, for weddings and funerals. (I haven’t had a job interview in 9 years, but if I did, it would be suitable for that, too.) And I have my day-to-day clothes, which aren’t awful but which aren’t anything to brag about, either. Functional casual, basically: jeans and khakis, an assortment of button-front shirts, some cotton sweaters.

As a college professor, there’s not a lot of pressure on me to dress up. If anything, it’s just the opposite. For one thing, I interact regularly with younger people, mostly teenagers (I teach 100-level courses), and being too formal creates a barrier between my students and me. That might be ok in business or law (think John Houseman in Paper Chase) but for my classes and my teaching style, some level of rapport is crucial. For another thing, my fellow professors don’t exactly set the sartorial bar very high – and there’s a certain sense of bohemian “me-against-The-Machine” attitude expressed by violating “corporate” standards of dress.

But mostly I dress the way I do because I’ve never really learned how to dress otherwise. Like a lot of my fellow geeks, fashion just wasn’t on the radar for me. Fortunately I have a brother who has always been very fashion-conscious, and he’d take me in hand every few years when my fashion sense got too out of touch with reason and social acceptability.

Well, my friend’s off-hand comment was a wake-up call for me. I mean, I’m a grown man – I should have more than one pair of slacks and one shirt nice enough to wear to an industry event without embarrassing myself! So I set out to educate myself on some fashion basics – what shoes go with what kind of trousers, how to distinguish various sorts of dress shirts, and so on.

I did what any true-blooded geek does when he or she wants to find out about a new topic: I googled it. But what I found was scattered, often contradictory, and for a newbie like me, downright confusing. A lot of the information out there is tied to specific social contexts: the workplace, the nightclub, and dating, mainly. And a lot of it’s quite vague – the answer to most questions is “it depends on your personal style” which I’m sure it does, but what if you don’t know your personal style yet?!

With some perseverance, a few trips to department stores, and the help of friends on Twitter, I managed to assemble the following rules. As with all rules, they’re meant to be broken – but only by people who know how to break them.  For the rest of us, this is a pretty good primer on basic men’s fashion.

Where do you find clothes, shoes or Accessories ? 

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Dress Suits

1. You eventually want to own three suits. Your first suit should be either navy blue or gray, possibly with a light chalk stripe (like a pinstripe, but softer), and in an all-season, medium weight.  Either of these colors will fit into most social settings. Your second suit should be the one you didn’t get the first time around. Your third should be black – not for funerals, but for black tie affairs. If you work in a field where suits are the norm, you’ll probably want more than three; once you’ve covered the basics, you can move on to more distinctive suits (pinstripes, different weights, unconventional colors, etc.).

2. Suits are made of wool or cotton. Higher thread counts signify higher quality, but are ironically not as durable, so stick with something mid-range. Ask the salesperson to help you with this. (Yes, ask the salesperson. Suits are not self-serve.) Synthetic fibers need not apply.

3. You never button the bottom button. Apparently, Edward VII got fat and couldn’t button his vest over his belly, so now nobody does. On a three-button jacket, you button the middle; the top button is optional. If you have a jacket with 4 or more button, you obviously know what you’re doing already.

4. A gentleman carries a handkerchief in his front breast pocket. You don’t have to get fancy, just fold it square to fit and have 1/4” to 1/2” sticking out the top. Then proffer it as needed. And wash it after.

Shirts




1. Don’t wear your sleeves too short or too long. 1/4” to 1/2” of cuff should show beyond your jacket sleeve.

2. Shirts with button-down collars are not dress shirts. They’re sports shirts, so wear them with a sports coat. Polo players used to button their collars down so they wouldn’t flap up in their face while they played. (Are you beginning to sense a theme here? Fashion rules are largely dictated by what English gentleman and nobility did generations or even centuries ago. Sports coats? You wore them during sport, i.e. hunting. Regimental stripes on ties? They indicated your regiment in the British military. And so on.)

3. If you unbutton your collar, remove your tie. You can wear a suit or sports coat without a tie – just ask Obama – but wearing a tie with an unbuttoned shirt looks sloppy.

4. You can unbutton the top button always (provided you’re not wearing a tie), the second button usually, the third button only on disco night at the Rollerama.

Trousers

1. Wear your pants at your natural waist. Too high and you look like Grampa, too low and you look like a high school kid. Your waistband should sit 2-3 inches below your belly button.

2. Pants should almost touch the ground without your shoes on. Jeans can be a little longer, since they shrink a bit when you wash them.

3. One pleat, maximum. If you’re a big guy, like I am, you learned somewhere along the line that pleats are slimming. They’re not. At best, they look like you’re a big guy trying to look slimmer; at worst, they actually make you look heavier because they pull out across you, broadening your appearance. In any case, the job of a pleat is to maintain that crease sown the front of your pants. For pants without that crease (and many with it), pleats are unnecessary; for pants that need the pleat, they only need one.

4. 1” to 1 1/2” cuffs. Or not. There’s nothing wrong with cuffs, there’s nothing wrong with no cuffs. They are understood, however, to be an older man’s style – not in a bad way, think sophisticated, experienced, distinguished, and conservative. For younger men, a cleaner line is generally preferred.

5. A useful piece of trivia for the American abroad: in British English, “pants” are underwear. So if, for instance, you are in London and get invited out and maybe your trousers are dirty from work, don’t say “I’d love to go out, I just need to go home and change my pants first.” And if someone should ask, “Why, are your pants dirty?”, don’t say, “Yeah, I always get my pants dirty at work.” You will be laughed at. Er, I assume.


Shoes

1. Pay attention to your shoes. Everyone else does. It’s hard for the non-fashion-maven to tell a more expensive suit from a less expensive one, a high-quality shirt from a medium-quality one, and so on. But everyone can tell cheap or poorly cared-for shoes. Buy the best ones you can afford, and take care of them. Polish them regularly (a few swipes with a wax-infused polishing cloth is often all it takes) and store them covered if you won’t be wearing them for a long time. Shoe trees, it turns out, are important: they not only hold the shape of the shoe but the cedar ones absorb moisture (and thus odors) which helps preserve the leather. (Aside: women tend to pay a lot of attention to men’s shoes. Keep that in mind when a) dating, and b) interviewing for a job.)

2. Shoes are made of leather (besides sneakers). Anything not made of leather you can consider a non-shoe. Leather breathes and adapts to the shape of your foot. The soles don’t have to be leather, but the uppers do. (True story: as a young man, my brother was a car salesman here in Vegas. In the summer, the tarmac could get well over 150 degrees F. Standing out there with leather-soled shoes could give you second-degree burns! So they wore rubber soles, which melted after a month or two and had to be replaced.)

3. You need more than one pair of shoes, but not too much more. Black oxfords (lace-up dress shoes), black loafers (slip-on shoes), brown oxfords or loafers, and you’re set (not counting your athletic shoes, of course). A pair of ankle-high boots in black or brown can substitute for the loafers. Ox-blood (burgundy) shoes are harder to find but in theory go with everything. You can pretty safely ignore white shoes.

4. The shinier the shoe, the dressier. Matte-finish shoes – nubuck (that pebbly leather), suede, and distressed leather shoes are automatically compatible with jeans or khakis; shinier shoes might still go with jeans but it depends on the rest of your outfit, the dressier you are the shinier your shoes can be. If you can wear them with a suit, you probably can’t wear them with jeans, and vice versa.

5. Shoes should be the same tone or darker than your pants. This is all the rule you need to know when trying to figure out what shoes to wear. This is why you never wear brown shoes with black trousers, but you can usually wear black shoes with brown trousers. When in doubt, wear black.

Source: Pinterest.com 


Accessories

1. Match your belt to your shoes. It doesn’t have to be a perfect match, as long as you wear a black belt with black shoes and a brown belt with brown shoes.

2. Match your socks to your pants. Again, it doesn’t have to be a perfect match – a little lighter or darker is fine. If you don’t have socks to match your pants, you can match your shoes, or just wear black socks.

3. White socks are for sports. Only. Unless you are a) wearing sneakers, and b) doing something athletic in them, avoid white socks.

4. Your tie should reach your belt. Anything short of your belt makes you look like a rube.

5. Try a front-pocket wallet or money clip. This will save wear-and-tear on your back pocket (helping to avoid the heartbreak of “buttsquare”), help avoid pickpockets (a little – the good ones know…), and save your back. Plus: classy!

6. You’re allowed one affectation. A fedora. A pocket watch. A bracelet or class ring. A vest (if you’re not wearing a three-piece suit). An expensive wristwatch. Pick one, but no more – give your whatever-it-is space to say whatever-it-says.

If it feels like these rules are arbitrary and stifling, they are. Think of it like learning how to paint: first, you do a still-life (arbitrary) using just one color (stifling). Eventually you move up to two and three colors, then maybe a warm or cool palette, and your subjects might expand to include figures or landscapes. Once you’ve mastered the basics, you can begin to press against the rules, juxtaposing non-complementary colors or painting unconventional subjects.

In fashion as in art – style emerges not from a lack of rules but from a mastery of them, from making them serve you instead of the other way around. If you’re a geek like me, you need to dial a fresh start – clear your closets of all those conference freebie t-shirts, put a shine on your shoes, and burn your butt-crack pants. Ultimately, these rules are not at all about tamping down your personality but about learning how to express it. And unfair as it is, people will take you more seriously when you dress with a modicum of style.



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Source: lifehack.org

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Finding Your Personal Style, Lesson 1: Fashion Fades, Style is Eternal

A lot of people (some I know personally, some I have just heard of, and some I know exist out there) define style by what you put on your back, the label of your shoes, or the name of your bag. This is not just thinking for those who know nothing about fashion or style except for being able to read price tags. It’s sad, and this kind of behavior beats the unique fashion world with all its powers and inspirations and possibilities to the ground by simply dismissing the process of getting to know yourself and transporting your inner self to your clothes.

Fashion is the only language that works in a global range without the necessity of using words to transport a message, set a statement or show your colors. Style is a dialect of fashion, and finding your own style is a process that takes time and effort and an open mind — to evolve, to develop, to grow, to change, to find yourself and analyze your true motives and purposes in life.



Burberry A/W 12/13
Elie Saab A/W 12/13

Throughout the history of fashion we meet graceful ladies such as Audrey Hepburn, Grace Kelly, and Princess Diana, as well as elegant gentlemen like Frank Sinatra, Humphrey Bogart, and James Dean and memorable designers like Yves (Henri Donat Mathieu-) Saint Laurent, Christian Dior and Gabrielle “Coco” (Bonheur) Chanel. All those icons taught us one thing above many others—Fashion fades, while true Style remains eternal, AND Style comes from within oneself. It is the essence of who we are, who we want to be and how we want to be seen by others. It is something you either own, or you don’t, obviously. Sometimes, style is something we inherit, if our mothers or fathers or icons help us to find and define ourselves from early on. Those of us who do not get that chance, like myself, with a mother who was hardly able to pick a sweater that matched any of her pants in color or fabric, have to pull themselves together to find out who they are and what kind of style fits their personality.

I don’t want to imply that when it comes to fashion I am as impeccable as Leona Lewis’ voice, but, between you and me, (and because I am totally aware of having my bad moments too) I am quite fabulous and I love what I do. To me, there is nothing as beautiful and reckless and crazy and immortal and self-defining as fashion. What gets me out of bed every morning is the chance to put together an outfit that makes me feel like I can (never just could) conquer the world. And this is the exact feeling I want you to have, learn, live, when you read my Style section here on lifehack.org. I want you to feel good about yourself and I want you to learn how to dress that way and to fall in love with whatever you want to put on your back because a cardinal rule of shopping suggests, “If you don’t love it in the store, you’re never going to wear it!”

So, let’s start finding ourselves by a simple set of rules we go through in this section. I don’t just want to give you orders in what to wear where—that’s not my place and not my right. In the end, I don’t know you and therefore, I can’t tell you what clothes to chose BUT I can help you to learn to know yourself in order to dress better and realize that everything you have inside regarding your motivations, emotions, ambivalences, problems, joys, characteristics, should show in what you wear. Just as Greek sage and philosopher Epictetus said, “Know, first, who you are; and then adorn yourself accordingly.”

But to understand what adorning accordingly really means one has to understand the differences of everything in fashion, from trend to evergreen. So, I say, “Learn what is available out there to adorn yourself with, first, while you get to know who you are and then, apply whatever you’ve been taught.” Yeah, that’s more like it nowadays.

Lesson #1: Fashion fades, Style is eternal.
I know, this is a rather often-misused quotation but bottom line is that it’s true. Basically, this one lesson, our first one, is to understand the difference between what is a current trend and what is something that will last forever to be a faithful companion along the road to fashion nirvana. There are trend pieces, basics, evergreens and investment pieces. The perfect wardrobe consists of each, though I recommend to buy more evergreens and investment pieces, as those are the true survivors of time and changes because they go with it and adapt no matter the time, no matter the change.

As said before, a lot of people stupidly mistake buying labels for having style. But trust me—it hurts far more to look ridiculously stupid in a $5,000 Louis Vuitton dress than in a $40 H&M one.

At this point of time it’s crucial to quote Patricia Field, costume designer of our beloved Sex and the City, who said that, “You can’t get caught up by ‘is it expensive, is it a designer?’ It’s our eye that chooses and really, it doesn’t matter where it comes from.”And she is right—whatever you lay your eyes on, whatever you buy, whatever you fall in love remember one thing; if you don’t love it in the store, you are never going to wear it, and what’s really the sense in buying something just because it’s Prada or Bottega Veneta or Burberry, if you can’t commit to it one hundred percent? The relationship between yourself and your clothes should be as close as the relationship you have with a love interest—possibly even closer and deeper because in the end, a Prada dress or a pair of Burberry boots or that one H&M military jacket will never break your heart. Save $600 OFF on Prada Skirt at Fashion Project. In addition, you can use Ebay coupon code 2015 and save up to 70% OFF Winter Clearance Fashion + FREE Shipping. Shop men's & women's outerwear, boots, sweaters or coupons for clothing  for saving more!

If you love something, stand behind it. It is what it is. Some people simply can’t afford the luxury of buying everything Chanel or Louis Vuitton and there’s no reason to be ashamed of that. Be proud of what you have and what you are able to treat yourself with. If you have style, you can rock H&M just like others might rock Prada. Truly, it is all about the confidence you inherit and radiate.

Bottom line: Care about your style and the message you want to transport with the way you dress, and NOT the label.



XO — Robert, Lifehack.org

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